A City upon a Hill’: The Wire and Its Distillation of the United States Polity

Wheeler, Mark (2014) A City upon a Hill’: The Wire and Its Distillation of the United States Polity. Politics: SPECIAL SECTION: POPULAR CULTURE, POLITICS, AND PEDAGOG, 34 (3). pp. 237-247. ISSN ISSN: 1467-9256

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Official URL: http://onlinelibrary.wiley.com/doi/10.1111/1467-92...

Abstract

Keywords:
The Wire;American politics;popular culture and politics
The Home Box Office's series The Wire (2002–2008) provides an informed critique of the decline of the democratic American ideal of the ‘city upon a hill’. From its inception as a police procedural, it expanded its interests across the dystopian city of Baltimore to consider the linkage between drug crimes, policing, the collapse of blue-collar life, social deprivation, institutional compromise, the public school system, media compliance and political self-interest. Therefore, this article will situate The Wire into the debates that have defined the US polity and will discuss how it employs the narrative conventions of a contemporary thriller to offer an alternative view of American democracy.

Item Type: Article
Subjects: 300 Social sciences > 320 Political science
Department: School of Social Sciences
Depositing User: Mark Wheeler
Date Deposited: 06 Jul 2015 10:42
Last Modified: 06 Jul 2015 10:42
URI: http://repository.londonmet.ac.uk/id/eprint/653

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