Suggestions in Courses
See all course resultsSuggestions in News
- No suggestions found.
Suggestions in Events
See all events results
Ammaturo, Francesca Romana (2024) L’urgenza del suono come espressione propria: conversazione con Anna Oxa. The Italianist, 44 (1). pp. 188-199. ISSN 1748-619X
Cross, David (2003) An assessment scheme to promote autonomy in the development of performance skills in music education. Investigations in university teaching and learning, 1 (2). pp. 65-70. ISSN 1740-5106
Jarvis, Greg (2006) Furthering Music Appreciation in Students: a research study. Investigations in university teaching and learning, 4 (1). pp. 6-16. ISSN 1740-5106
Lange-Kuettner, Christiane and Rohloff, Stella (2020) Mozart sharpens and Mahler degrades the word memory trace. Advanced Research in Psychology, 1 (1). ISSN 2708-4884
McNally, Karen (2022) Book review : Musicals at the margins: genre, boundaries, canons. Studies in Musical Theatre, 16 (2). pp. 153-155. ISSN 1750-3167
McNally, Karen (2012) Hollywood Stars vs Variety Show Hosts: The incompatible case of Frank Sinatra on 1950s Television. European Journal of American Culture, 31 (2). pp. 107-121. ISSN 14660407
Pyall, Nicholas (2014) Guitar stringing in late nineteenth-century North America: the emergence of steel. Journal of the American Musical Instrument Society, 40. pp. 29-74. ISSN 0362-3300
Browne, Jemma, Frost, Christian W. and Lucas, Ray (2018) Architecture, festival and the city - introduction. In: Architecture, festival and the city. Critiques: Critical Studies in Architectural Humanities, 14 . Routledge, Abingdon, Oxford, UK. ISBN 9781138362338
Kim, Anna Marazuela and Scarso, Jacek Ludwig (2024) Placemaking, performance and infrastructures of belonging: the role of ritual healing and mass cultural gatherings in the wake of trauma. In: Trauma Informed Placemaking. Routledge, Abingdon, pp. 263-275. ISBN 9781032443102
Kollectiv, Galia and Kollectiv, Pil (2017) Playing Like a Girl. In: Cesura // Accesso. Cesura // Accesso, London, pp. 236-256. ISBN 9780993024610
McNally, Karen (2020) "Play real pretty for the people": Louis Armstrong, Sammy Davis Jr. and racial politics in Hollywood's post-war jazz musicals. In: The Politics of Hollywood Musicals. Presses de Paris Nanterre, Paris. ISBN 9782840163497
Turner, Jane (2021) Phase transitions: self-organising systems in participatory and performative interdisciplinary dance. In: Musical Intersections in Practice 2021. Centre for Intercultural Musicology at Churchill College, University of Cambridge, Cambridge, pp. 9-19. ISBN 978-1-5272-5411-4
Baldwin, Mike (2017) The harp in early nineteenth-century Britain : innovation, business, and making in Jacob Erat’s manufactory. Doctoral thesis, London Metropolitan University.
Dart, Mathew (2011) The baroque bassoon: form, construction, acoustics and playing qualities. Doctoral thesis, London Metropolitan University.
Garavaglia, Javier A. (2010) The dramaturgy of music: its impact on my composition. Doctoral thesis, London Metropolitan University.
Greenham, Adrian Clement (2003) Clarinet toneholes: a study of undercutting and its effects. Doctoral thesis, London Metropolitan University.
Heydarian, Peyman (2016) Automatic recognition of Persian musical modes in audio musical signals. Doctoral thesis, London Metropolitan University.
Kent, Marie E. (2013) Exposing the London piano industry workforce (c. 1765-1914). Doctoral thesis, London Metropolitan University.
Linwood, Jamie Murray (1995) The manufacture of tuned percussion instruments in Indonesia and Africa: a selective study. Doctoral thesis, London Guildhall University.
Longden, William Edward (2019) Inclusive participatory design of bespoke music instruments and auxiliary access equipment, as emancipatory arts interventions advocating for equality and wellbeing. Doctoral thesis, London Metropolitan University.
Margerum, Alice C. (2010) Situating the citole, c.1200-1400. Doctoral thesis, London Metropolitan University.
Pillinger, Edward (2000) The effects of design on the tone and response of clarinet mouthpieces. Doctoral thesis, London Guildhall University.
Pyall, Nicholas (2014) The Viennese guitar and its influence in North America : form, use, stringing, and social associations. Doctoral thesis, London Metropolitan University.
Reiser, Michaela (2009) Listening to the mind at play: sonified biofeedback as generative art practice and theory. Doctoral thesis, London Metropolitan University.
Salinas, José Antonio Martin (2014) Pitch resources for new music: an integrated approach to instrument development and composition. Doctoral thesis, London Metropolitan University.
Wilson, Charles West (2021) The English wing spinet of the 17th and 18th centuries: with special reference to the extant Haward spinets indtroducing newly discovered evidence for Samuel Pepys' Haward spinet and Queen Anne's Haward spinet. Masters thesis, London Metropolitan University.
Hällsten, Johanna (2020) Performing Hekla. [Performance]
Scarso, Jacek Ludwig and Campkin, Alexander (2015) Imagined cities (Voicescapes). [Performance]
![[up]](/style/images/multi_up.png)
Up a level