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Baldwin, Mike (2017) The harp in early nineteenth-century Britain : innovation, business, and making in Jacob Erat’s manufactory. Doctoral thesis, London Metropolitan University.
Cross, David (2003) An assessment scheme to promote autonomy in the development of performance skills in music education. Investigations in university teaching and learning, 1 (2). pp. 65-70. ISSN 1740-5106
Heydarian, Peyman (2016) Automatic recognition of Persian musical modes in audio musical signals. Doctoral thesis, London Metropolitan University.
Jarvis, Greg (2006) Furthering Music Appreciation in Students: a research study. Investigations in university teaching and learning, 4 (1). pp. 6-16. ISSN 1740-5106
Kollectiv, Galia and Kollectiv, Pil (2017) Playing Like a Girl. In: Cesura // Accesso. Cesura // Accesso, London, pp. 236-256. ISBN 9780993024610
Longden, William Edward (2019) Inclusive participatory design of bespoke music instruments and auxiliary access equipment, as emancipatory arts interventions advocating for equality and wellbeing. Doctoral thesis, London Metropolitan University.
McNally, Karen (2012) Hollywood Stars vs Variety Show Hosts: The incompatible case of Frank Sinatra on 1950s Television. European Journal of American Culture, 31 (2). pp. 107-121. ISSN 14660407
McNally, Karen (2019) "Play real pretty for the people": Louis Armstrong, Sammy Davis Jr. and racial politics in Hollywood's post-war jazz musicals. In: The Politics of Hollywood Musicals. Presses de Paris Nanterre, Paris. (In Press)
Pyall, Nicholas (2014) Guitar stringing in late nineteenth-century North America: the emergence of steel. Journal of the American Musical Instrument Society, 40. pp. 29-74. ISSN 0362-3300
Pyall, Nicholas (2014) The Viennese guitar and its influence in North America : form, use, stringing, and social associations. Doctoral thesis, London Metropolitan University.
